André Komatsu
2012 FutureGreat, selected by Ishmael Randall Weeks
By Ishmael Randall Weeks
More recent works, such as AK-47 (2008) and Sem Titulo (Tumor) (2010), follow a similar logic, but seem more concise. They deal directly with physical and societal divisions and erosions and demonstrate a need to occupy the urban context within the gallery, disarticulating it to create new meanings and incidences in the perception of the social space. It is in this displacement between creative energy and entropy that the true beauty in Komatsu’s work lies.